Editing Agree to do a bit of modeling/Tables
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|Value 120 = {{IL|Your Brother, Returned}}<br />{{IL|Your Daughter, Returned}} | |Value 120 = {{IL|Your Brother, Returned}}<br />{{IL|Your Daughter, Returned}} | ||
|Effect 120 = "Always good practice to do a family grouping," says the artist, cutting a point into his pencil. "I always try if I can capture a little of the history, you know, the relationship between people." | |Effect 120 = "Always good practice to do a family grouping," says the artist, cutting a point into his pencil. "I always try if I can capture a little of the history, you know, the relationship between people." | ||
− | |Value 210 = {{IL|Esoteric Accomplice}}<br />{{IL|Fabulous Accomplice}} | + | |Value 210 = {{IL|Platonic Partner in Crime}}<br />{{IL|Esoteric Accomplice}}<br />{{IL|Fabulous Accomplice}} |
|Effect 210 = Your Accomplice has always been good at making an impression. The artist does not quite know what to do with inspiration of this calibre, but he is enjoying the attempt. | |Effect 210 = Your Accomplice has always been good at making an impression. The artist does not quite know what to do with inspiration of this calibre, but he is enjoying the attempt. | ||
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|Value 260 = {{IL|Genre Painter}} | |Value 260 = {{IL|Genre Painter}} | ||
|Effect 260 = The Genre Painter fidgets as he sits. It's hard for him not to ask to see the painting before it's completed, or not to offer an opinion – occupational hazard, perhaps. The resulting portrait carries that restless energy. | |Effect 260 = The Genre Painter fidgets as he sits. It's hard for him not to ask to see the painting before it's completed, or not to offer an opinion – occupational hazard, perhaps. The resulting portrait carries that restless energy. |